Peter Brook’s The Empty Space

•July 8, 2019 • Leave a Comment

citing site-specific

“I can take any empty space and call it a bare stage”

An energetic and first-person account of the work done by ‘the group’ in the nineteen-sixties and seventies at the International Centre for Theatre Research.

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Alternative Photography : Arts Lab

•July 8, 2019 • Leave a Comment

Working Title

Creating Loops

Cyanotype Process

Behind Appearance
A Study of the relations between painting and the natural sciences in this century
C. H. Waddington

Strange Loops
Art, Science and Consciousness
An Exploration of Mind, Matter and Form through the Work of Susan Derges
Stephen Gaughan

The Music of Waves
The Poetry of Particles
Thoughts on Implicate Order for Susan Derges
Martin Kemp

Adam Fuss
Eugenia Perry

 

Lucio Fontana : Beyond The Picture

•October 7, 2018 • Leave a Comment

 

 

‘There is no stage at which ‘man’ does not demarcate, beacon or sign his space, leaving traces that are both symbolic and practical.’ Lefe…

Source: Lucio Fontana : Beyond The Picture

Russell Moreton Sheltered Environments : Photographic Architectures : Stonehenge Visitors Centre .

•October 7, 2018 • Leave a Comment

Russell Moreton Sheltered Environments : Photographic Architectures : Stonehenge Visitors Centre .

New Topographics in Photography and Architecture.
Alternative photographic processes in both digital and analogue image manipulation.

 

New Topographics in Photography and Architecture. Alternative photographic processes in both digital and analogue image manipulat…

Source: Russell Moreton Sheltered Environments : Photographic Architectures : Stonehenge Visitors Centre .

Drawing – a-n The Artists Information Company

•September 3, 2018 • Leave a Comment

Source: Drawing – a-n The Artists Information Company

The More She Burns the More Beautifully She Glows

•September 3, 2018 • Leave a Comment

The More She Burns the More Beautifully She Glows

 

Source: The More She Burns the More Beautifully She Glows

Locality/Social Complexity and the Everyday : Works on Paper

•September 3, 2018 • Leave a Comment

Locality/Social Complexity and the Everyday : Works on Paper

Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints. The process uses two chemicals: ammonium iron(III) citrate and potassium ferricyanide.

The English scientist and astronomer Sir John Herschel discovered the procedure in 1842.[1] Though the process was developed by Herschel, he considered it as mainly a means of reproducing notes and diagrams, as in blueprints.[2] It was Anna Atkins who brought this to photography. She created a limited series of cyanotype books that documented ferns and other plant life from her extensive seaweed collection.[3] Atkins placed specimens directly onto coated paper, allowing the action of light to create a silhouette effect. By using this photogram process, Anna Atkins is regarded as the first female photographer.[4]

From Wikipedia, the free encyclopedia

Mesh/Material/Light, Cyanotype Process

Locality/Social Complexity- Works on Paper

DSC_6026 Hortus Conclusus

https://www.flickr.com/photos/russellmoreton/42235368954/in/dateposted-public/

 

Source: Locality/Social Complexity and the Everyday : Works on Paper

 
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